A group of students are tormented by the lingering menace of Garth Stroman, an artist who had a disturbing vision fifty years prior. The pupils discover that true art can only be achieved through suffering and pain.

A schoolteacher plagued by alcoholism and his refusal to serve in World War II, Graham Weir inspires contempt in almost everyone around him, including his bitter wife, Anna. When the lovely young Shirley Taylor, one of Weir's students, falls for her unfortunate instructor, he is tempted and flattered but turns down her advances. Taylor's subsequent actions make Weir's life even more complicated.

Two young officers are marked for death after confiscating a small cache of money and firearms from the members of a notorious cartel during a routine traffic stop.

6 min

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If Nick Barrow can stay alive for 21 days, he'll die happy. Everyone Nick knows wants him dead; Mob bosses, contract killers, and dirty cops. Performing the last act of a desperate man, Nick takes out a million dollar insurance policy on himself, payable to his estranged daughter. The problem? The policy doesn't take effect for 21 days. Nick knows they'll be lucky to be alive for twenty-one hours.

Almost 15 years, the unequal sisters Mia and Susanne have not seen each other. But after her mother's death, Mia returns to her family. Problems are preprogrammed. But the fight for the family business and the memory of an old unfortunate pact connect the freedom-loving Mia and the family man Susanne.

End of Part One was a British television comedy sketch show written by David Renwick and Andrew Marshall, it was made by London Weekend Television. It ran for two series on ITV, from 1979 to 1980 and was an attempt at a TV version of The Burkiss Way. The first series concerned the lives of Norman and Vera Straightman, who had their lives interrupted by various television personalities of the day. The second series was mainly a straight succession of parodies of TV shows of the time, including Larry Grayson's Generation Game and Nationwide.

An intricately put together story that brings to the screen Korea's most sensitive issues. Through the lives of various Seoulites, the film features an unfettered look into Korea's modern society by presenting them into four chapters - Moratorium, Amorality, Moral Hazard, and Y2K.

In a near-future world where ageing can be cured and death is now optional, Claire, a former provocative artist approaching her 250th birthday, decides she’s had enough, she wants to die.